“my grandmother is here tonight
she writes like this
highlighter on lineless paper
she pins them onto her mirror
so her survival tactics are reflected back at me
In The Waiting Room
where i am standing just as i am here now
surrounded by whiteness to my right and left
i don’t run here anymore, because there is no where to go ”
– excerpt from In the Waiting Room Poem by hazel batrezchavez
In the Waiting Room, is an exhibition that bears witness to the places where
individuals are asked to perform their identity, in highlighting the microaggressions
faced by someone who is racialized in crossing borders, inverting practices of authority
and focusing on the historical violence of language. In the Waiting Room, draws
parallels between the southern border and the institution as systems of oppression that
take up space and silence certain humans. The work is built as a reaction to the
current cultural landscape the artist navigates and moves freely between the written word,
large scale sculpture, textiles, performance, and video installation.
Sheri Crider in conjunction with New Mexico Craft Responders worked with volunteers: Andrea Deleon, Earl McBride, Amanda Dannáe Romero and Kristen Angerbauer with UNM Architecture to produce intubation boxes for healthcare providers. Intubation Boxes are reusable acrylic protective devices, originally designed by Dr. Hsien Yung Lai in Taiwan, that sit over the head and shoulders of COVID-19 patients. The box acts as a protective shield between the patient and medical provider, with the intent of reducing the healthcare provider’s exposure to COVID-19. After each intubation, the box can be easily cleaned with a bleach or alcohol solution.
“Sheri took her first box to Lovelace Health System here in Albuquerque where doctors used it and immediately ordered 12 more. Since the first batch, she and a crew of volunteers…have made more that have gone everywhere from Roswell to Zuni.”
USE Makerspace Steps Up to Help Make/Distribute PPE for Frontline Healthcare Workers | CNM
Link to article: https://www.cnm.edu/news/fuse-makerspace-steps-up-to-help-make-distribute-personal-protective-equipment-for-frontline-healthcare-workers
March 25, 2020
807 4th Street SW
Albuquerque, NM 87102
Sanitary Tortilla Factory and the ACLU are partnering to screen a powerful triptych, Grrrl Justice, for The Day of Empathy 2020. On March 25 we will join hundreds of activists sharing their experiences and stories. Exemplifying the human consequences of the criminal justice system. Grrrl Justice follows the stories of three characters – one being released from juvenile detention, another being exploited by a sex trafficker, and one navigating the school to prison pipeline. The film examines how traumatic backgrounds including family violence, racism, poverty, sexual abuse, homophobia and transphobia attach young people to systems that criminalize them, rather than alleviate the impacts of systemic oppression in their lives. It also takes an honest look at how these youth are employing their agency, body autonomy, and healthy resistance in pursuit of their own liberation.
At this critical moment in criminal justice reform, girls and queer youth of color are largely being left out of the broader public conversation – even as they have the fastest rising rates of incarceration. Among girls involved in the juvenile justice system, African-American, Native American and Latina youth are vastly over-represented and face harsher sentences and outcomes. 40% of girls in the juvenile justice system identify as lesbian, gay, bisexual, transgender, questioning or gender non-conforming, and 85% of LGBTQ incarcerated youth are the youth of color. Grrrl Justice centers this reality while asking its audience members to consider their role in supporting the conditions for healthy girlhood. Grrrl Justice is produced by the Visionary Justice StoryLab with support from the Right of Return Fellowship. The national community engagement series and additional media is made possible by the generous support of individual donors and the NOVO Foundation.
March 6 – March 27, 2020
First Friday: March 6, 6-8 pm
Closing Reception: March 27, 6-8 pm
In Family Resemblance, Sallie Scheufler presents text, videos and photographs of herself and the women in her family. Taking a critical look at her personal history, Scheufler uses time-based media to explore how relationships within her family affect her sense of self, performed and inherited. Staged portraits utilize tools found in the beauty industry to draw attention to physical features, alike and unlike. She dresses in drag to become her older sister. She and her mom get matching hairdos. Her little sister applies her make-up as she does to herself. Text throughout the exhibition recounts stories of superficial desires and the ways that the women in her family perform gender. Family Resemblance addresses beauty standards, wanting what we don’t have, and growing up in makeover culture.
Sallie Scheufler is an interdisciplinary artist currently living in Albuquerque, NM. Scheufler uses her personal history as artistic fodder, in context of feminist theory and familial relationships through performative video and sound installations, live participatory performance, photography, and sculptural installation. Scheufler has exhibited work in museums and galleries nationally including the Center for Contemporary Art, Northlight Gallery, 516 ARTS, and the University of New Mexico Art Museum. Scheufler has been awarded a Beaumont Newhall Fellowship and a Robert Heinecken scholarship, among others. She received her MFA in studio art from the University of New Mexico and her BFA from Arizona State University. When she is not in the studio, Scheufler works as part-time faculty in photography at the University of New Mexico and is the Assistant Director at Richard Levy Gallery.
Image Caption: Sallie Scheufler, Mom and Me, 2020, Inkjet print, 24 x 30 inches
We are excited to announce Mitchell Squire will be STF’s Artist in residence this summer. Mitchell Squire is a multidisciplinary artist and educator. His practice encompasses architecture, visual art, and the study of material culture. He is best known for his elegiac assemblages and his examinations of the afterimage recorded onto the backs of spent law enforcement firearms training targets. He has mounted solo exhibitions at CUE Art Foundation (New York), White Cube (London), Des Moines Art Center, Bemis Center for Contemporary Art (Omaha), and various university galleries.
His work appears in the permanent collections of the Des Moines Art Center and the Minneapolis Institute of Art and notable corporate and private collections. He has completed residencies at the Skowhegan School of Painting and Sculpture, Ox-Bow School of Art and Artists’ Residency, Banff Centre for Arts and Creativity, and Cannonball (Miami), and was an invited participant in educational programs at MoMA, The New Museum, Pérez Art Museum, and La Biennale Architettura di Venezia (2014). While in residence, Mitchell’s work will be focused on “the autotelic body”, “an ongoing series of self-portraits, drawings, and paintings which explore the socio-sexual effects of extractive economies and the material geophysics of race.” Squire will be using the residency “as a base to research the American southwest desert in relation to the Black body and race.” Special thanks to our esteemed jurors: Candice Hopkins + Raven Chacon.