Creating Platforms for Community + Artists

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Sanitary Tortilla Factory
401-403 2nd St SW
Albuquerque, NM 87102

(505) 228-3749


Adopted at birth, sheri had a challenging childhood in the growing suburbs of Phoenix, Arizona in the 1970s. These experiences set the stage for a sixteen-year battle with addiction and homelessness. The memory of a fourth-grade art award created a path forward where crider eventually received an academic tuition waiver and a fine arts scholarship at the University of Arizona. She received a BFA in Ceramics and Queer Theory and went on to earn an MFA in Sculpture from the University of New Mexico.

sheri started her own dyi artspace in 2006 to create a space for rarely shown queer, poc artists in the region. In 2015 re-envisioned the iconic, vacant restaurant the Sanitary Tortilla Factory.

Her work has been exhibited nationally with recent solo and important exhibitions at the University of New Mexico Art Museum, University of Arizona Museum of Art, and Museum of Fine Arts in Santa Fe. In MutualArt’s artist press archive, sheri crider is featured in Artists Defend Human Dignity in the Face of Institutional Dehumanization, a piece from the Hyperallergic in 2020.  crider has been the recipient of grants and fellowships including the inaugural cohort of Open Philanthropy’s Right of Return Fellowship which supports the creation of original artworks to further criminal justice reform and the Andy Warhol Foundation. Her work has been reviewed in critically acclaimed periodicals including PBS Newshour, and Hyperallergic.

sheri thrives on connections, creating joy and beauty from discarded materials, people, and communities. sheri’s expansive take on a creative practice creates spaces, objects, and places that re-imagine and begin to unravel our complicated understanding of ourselves and our communities. The works that sheri creates, takes both a micro and macro approach of understanding, participation, and collaboration. Collaboratively and singularly sheri is deeply dedicated to creative pursuits that center on solace, respite, magic, and belonging.

TRANSVEIL Albuquerque/TX/CA 21-22

Transveil surveillance tower with Christine Wong Yap’s Flags of Safety and Resilience

The TRANSVEIL artwork and series of affiliated events facilitate conversations that heal our communities and are invaluable in transforming public policy by facilitating conversations between currently/formerly incarcerated people, the general public and stakeholders in the criminal justice system in New Mexico and Texas.The continuing collaboration between Obie and sheri create hope the artworks reiterate the importance to redeploy community assets as first steps to support, create and sustain safe equitable neighborhoods and an ongoing project of collaboration. Obie Weathers III, is a visual artist currently incarcerated on Texas death row. Weathers work centers on empathy and meditation, while creating work with little resources on the inside.

The three dimensional, interactive work what i see as a Non-tactical Monuments. The strange machines in the series transform tactical policing equipment into historical markers for institutionalized trauma. The function of each object is to subvert policing tactics, while creating space that honors those most affected by structural inequity. The work hopes to metaphysically redeploy mental assets through creativity, love and empathy. The work creates channels to deepen our ability to listen. The device is approximately 15’x5’x6’. 

The first iteration of the project was sited at Off Lomas, a project by Candice Hopkins and Raven Chacon for six weeks this October. Through months of exchange the sheri and Obie designed a mobile surveillance trailer redeployed as a mutual aid distribution site and invited artists and community organizations to engage the site.  


International Sunport, 2021

Alburquerque!!, 12′ x 50″ enamel on aluminum panel.

In the summer of 21, sheri designed and led a social practice project to create a permanent, monumental public art for the Albuquerque International Sunport. The focus of the project was to create a studio of system impacted youth artists, youth artists from the community to transform a 1950’s Albuquerque post card. Visiting artists, NANI CHACON (ABQ )GRACE ROSARIO PERKINS)(ABQ), ANDREA DELEON(ABQ), worked with students in developing finished work for the public art component at the Albuquerque Sunport. The group incorporated working studio discussions, field trips to museums, and visits to critical sites as a backdrop to create the core images that represent the complex history of this region. The final 12’x50′ postcard greets travelers with images ranging from original iconography of the Zia Pueblo, the death of a transgender woman at the hands of ICE in 2018, the 1680 pueblo revolt, zinc labor protests, Blackdom and the rarely acknowledged author of the Duran Consent Decree.

Other Targets, 2020

University of Arizona Art Museum Curated by sheri crider and Chelsea Farrar UAAM

Silence still equals death, gouache and enamel on paper.

sheri created four new sculptural works and two new paintings. Some of the earliest depictions of creatures and demons, whether real or imagined, provide an introduction to the subject of the “other.” Prints and illustrations from the late fifteenth and early sixteenth centuries, photographs of “exotic”, and contemporary media images of immigrants offer multiple views into perceptions of “otherness.” A leisurely reading of these images diminishes the historical, influential role that representation plays in fueling economic, political campaigns that result in massive societal inequities. 

Other TARGET/s connects visual imagery created by M. Jenea Sanchez, Gabriella Munoz, Shontina Vernon and sheri crider with historical artworks from the permanent collection of the University of Arizona Museum of Art. The artists examine intersections of the complicated histories of prejudice, fear, fascination, and social and economic underpinnings that mine the permanent divisions between us and them while the works on loan anchor the exhibition, citing the long trajectory of “otherness.”  

These contemporary works also occupy a space of socially engaged art that is motivated to humanize issues that divide our communities. These artists engage directly in the communities that are present in their work, their practices extend beyond images into strategic relationships, and they are committed to creating avenues to witness the stories and experiences through the medium of exchange. 

Flight, 2018

Two channel projection with installation of 600 social practice created bird mobiles.

UNM Art Museum  2018 Curated by sheri crider and Traci Quinn, Curator of Education and Public Programs

Solo Exhibition – The exhibition and series of events were sponsored by the Right of Return Fellowship which supports formerly incarcerated artists creating original works that can further criminal justice reform in partnership with advocates and organizers.

Bee Hotel, 2018