Creating Platforms for Community + Artists

Sanitary Tortilla Factory
401-403 2nd St SW
Albuquerque, NM 87102

(505) 228-3749
stfsubmissions@gmail.com

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Remembering Valerie Roybal

Posted in Uncategorized

“Wishing all beings loving-kindness, compassion, openness, ease, and joy this day and every day.”
-Valerie Roybal

Sunday, Dec. 2, 2018 from 11:30-1:00 pm
This week Sanitary Tortilla Factory lost a truly wonderful person, artist, and friend. We invite you to celebrate the life of Valerie Roybal. This Sunday we will be hosting an open house with food and refreshments.

Look for future events including a curated exhibition of Valerie’s work coming to Sanitary Tortilla Factory
Feb 10 – Mar. 8, 2019.

 

The Fracking of Sandoval County comic book release party

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The Fracking of Sandoval County

Comic book release party

Saturday, November 17, 2018 5-8pm

Join us for the release of ‘The Fracking of Sandoval County,’ a comic book documenting the epic and ongoing struggle between oil and gas developers and local NM communities. Artist, Larry Bob Phillips, and writer, Mark LeClaire will be on hand for a community conversation about the issues. A celebratory feast and the musical stylings of Eileen and the In-Betweens will round out the evening. Other guests to be announced. Roll Through!

207

 

Darby Photos, Sandy Hook Elementary, Newton, CT., mixed media, 60 x 80 inches, 2018

 

207 by Darby Photos

Nov. 9th, 2018 – Jan. 4, 2019

Closing Reception: Jan. 4, 2019 5-8pm

In 207, Darby Photos’ depicts schools that have been the sites of mass shootings. The quilts these schools are depicted in represent safe spaces that have become scenes of horror and destruction. Buildings such as Sandy Hook, Columbine, Virginia Tech and Marjory Stoneman Douglas, as well as lesser, discussed schools like Red Lake High School in Michigan and West Nickel Mines school in Pennsylvania became physical manifestations of our society’s willingness to sacrifice our children to gun culture. The quilts confront the audience with the new banality of mass murder.

Collateral Damages

Collateral Damages

Friday, September 7th, 2018

6-9pm

Jeremy Adonis Carlson, sheri crider and Gary Sanchez will lead public participation notating the walls of the gallery with the collateral impacts of maligned policies of criminal justice on our local communities (focused on felony convictions- eviction from public housing, ineligibility for federal education loans and grants, and a ban from food stamp programs).Live screen printing by DRY MTN, poetry by Manuel Gonzalez and daughter . Large scale building projection & 200 free tacos (El Paisa Express)
Informed by SMART JUSTICE Campaign (ACLU) participants hope to shift criminal justice policy and build meaningful narratives that move criminal justice reform.

 

Project is a part of Our Town an Albuquerque City Wide project sponsored by the NEA.

 

<b><i>Beautiful Test Sites / Now I am become death</i></b>

Beautiful Test Sites / Now I am become death

Beautiful Test Sites / Now I am become death

July 13 – August 31, 2018

Opening Reception: Friday, July 13, 2018, 6 – 9 pm

In Beautiful Test Sites / Now I am become death, Mitchell Squire and Nora Wendl make full use of their research-based and architecturally-founded practices to present a series of photographs that meditate upon “beautiful test sites”: spaces and bodies wastelanded by the American techno-utopian imagination of the 20th century. For Squire, this means unearthing a series of inherited mid-20th century photographs taken by an amateur photographer—who at the time served as Executive Secretary of the Iowa Industrial and Defense Commission (1941-45), the first Director of the Iowa Development Commission (1945-53), and State Director of Civil Defense during WWII and again in the 1950s—and whose subjects were both women and nuclear blasts, whose images Squire alters through the strategic use of gilded frames, veils, and glass vases. Nora Wendl presents a series of photographs taken during her recent occupational performance of the all-glass Farnsworth House, designed by Mies van der Rohe for Dr. Edith Farnsworth in the mid-20th century—a house that was conceived the same year as the first American nuclear test. Wendl pairs these with a series of archival photographs of women within this house who have commonly been mistaken as being Dr. Farnsworth, which she heavily annotates with autobiographical and biographical information, thus bringing specificity to women who are otherwise anonymous within the visual discourse of architectural history: researcher and subject alike.

Above Image: Mitchell Squire, all your fears are caused from novel reading, 2018

The mode of operation in viewing visual information today, and particularly photographs, is that even a casual observer must work as a journalist to determine veracity. At the same time, the photograph is a way to arrest beauty, to prolong it, and to catalog even those places and bodies that are wastelanded until a future time when they can be read and named.

Mitchell Squire: Mitchell Squire is an artist and educator whose practice encompasses architecture, visual art, and the study of material culture. His work employs techniques of assemblage and informational strategies of collection and archival presentation, toward understanding the sociopolitical complexity of material and immaterial artifacts. He holds the position of Professor of Architecture at Iowa State University.

Nora Wendl: Nora Wendl is a writer, artist and educator who uses disciplinary strategies drawn equally from literature, visual art, and architecture to amplify overlooked or suppressed narratives within the built and unbuilt environment. She holds the position of Associate Professor of Architecture at the University of New Mexico.