Exhibition Opening

…Son, yáázh, mijo…

My favorite things to be called r Son, yáázh, mijo–they remind Me of when u wove ur fingers thru My hair..meanwhile these poems bloomed..bury Me with these poems..when i wake again the flowers will call me Son, yáázh, mijo and ill remember when u wove ur fingers thru My hair

Eric-Paul Riege

September 6 — September 27[2k19]

OPENING RECEPTION: September 6 from 6:00 – 8:00 pm
CLOSING RECEPTION & PERFORMANCE: September 27 from 6:00 – 8:00 pm

Where is My place to find solace? I think it lives in my process. My hands make make make and create create create to tell some sort of story that lets me know how much I love you. Where is My vulnerability and honesty lay? I think it lives in my actions. When my mind tells my body to move it’ll move. When my mind tells my body to see it’ll see. When you present a form of yourself to Me I trust myself enough to allow you in and see some form of empathy between us. I fell in love with you before we met and these objects materialize that. I thank you for creating these with Me.

Eric-Paul Riege (Diné) (b. 1994, Na’nízhoozhí, Gallup, New Mexico) is a weaver and fiber artist and outsider poet finding presence in his mind, body, and beliefs through performance, installation, woven sculpture, collage, and wearable art. For Riege his weavings pay homage and link him to generations of women weavers in his family and exist as living things that aid him in generating sanctuary spaces of welcome. Riege holds a BFA in Art Studio and Ecology from the University of New Mexico. His work has recently been exhibited in the SITElines.2018 Biennial at Site Santa Fe, NM, the Navajo Nation Museum in Window Rock AZ, the National Hispanic Cultural Center in Albuquerque, NM, and The Institute of Contemporary Art Miami in Miami, FL.

Black Hole/Atomic City (State of Decay) 

The Black Hole in Los Alamos, NM, 2009. Photo by Jeff Keyzer

Black Hole/Atomic City (State of Decay) 

August 2 – 30, 2019

OPENING RECEPTION: August 2, 6-9pm 

Black Hole/Atomic City (State of Decay) is an exhibition dedicated to alternative stories related to “the nuclear business” in New Mexico since the dawn of the Anthropocene/Trinity test near Tularosa in July 1945. The combined burden of nuclear byproducts and waste that decays over tens of thousands of years weighs heavily on New Mexico, a “national sacrifice zone.” The show will be on view until August 30.

Impacts that largely affect Indigenous and rural communities from nuclear weapons and their production in New Mexico and around the world, are not featured in the celebratory story of the Atomic Age promoted by Los Alamos, set for the commemoration in 2020 of the 75th Anniversary of the Trinity Test and the bombings of Hiroshima and Nagasaki, the first and only cities to be destroyed with atomic weapons. 

What is the impact of the theft and decimation of sacred lands? How have involuntary radiation exposures from atomic explosions and contamination from mining and milling of uranium affected generations? What are the ongoing threats from transportation and storage of radioactive waste?

This will be one of numerous efforts to highlight alternative views of our nuclear world during the lead up to the Anniversary of the Nuclear Age. The Black Hole, a Los Alamos business known world-wide for recycling equipment and materials from the Los Alamos Scientific/National Laboratory, was owned by anti-nuclear activist Edward Grothus, who died in 2009. Artist and activist Barbara Grothus is the lead organizer of the project.

Artists include: Josh Atlas, Brandi Beckett, Mitch Berg, Anna Bush Crews, Sabrina Gaskill, Barbara Grothus, Sheri Inez deLopaz Kotowski, Sto Len, Melanie Mills, Santiago Perez, Thomas Powell, Rachele Riley, Yasuyo Tanaka, Jessi Walsh, Nora Wendl

This exhibition was made possible in part by the Fulcrum Fund. The Fulcrum Fund is an annual grant program, created and administered by 516 ARTS as a partner in the Regional Regranting Program of The Andy Warhol Foundation for the Visual Arts.