Flight (02) Reconciliation Conversations on Empathy
SATURDAY & SUNDAYS – June 23/4 + June 30/July 10am- 6pm
THESE ARE DROP IN HOURS (Come by any time during these hours)
Additional days/times are welcomed by appointment 401 2nd SW @ the Sanitary Tortilla Factory
This is an open invitation for the public to attend a workshop where artist sheri crider will talk about the inspiration for the upcoming exhibition Flight. The casual event is intended to be an opportunity to discuss and exchange stories and strategies for and about empathy. Participants will have the opportunity to construct one or more birds that will take flight in the exhibition. Everyone will receive a bird from the exhibition or a limited release Reconciliation t-shirt at the exhibition in exchange for their participation. There will also be more information on the necessity for immigration reform and the current systems relationship to mass incarceration. The exhibition opens August 24th at the UNM Art Museum.
Flight (02) is the second of three events partially sponsored by the Right of Return Fellowship which invests in formerly incarcerated artists to create original works to further criminal justice reform in partnership with advocates and organizers. Sheri Crider is one of the inaugural recipients of this fellowship.
Proceeds benefit local organizations that support community members impacted by these issues including the NM Dream Team, New Mexico Immigrant Law Center & the Santa Fe Dreamers Project.
Sheri Crider is a visual artist, a community builder, a civil rights dreamer, living and working in Albuquerque, New Mexico. The seemingly innate ability to draw and create was the key to recovering from many years of drug addicted, homelessness and incarceration. sheri has a BFA from the University of Arizona, a MFA from the University of New Mexico and is the creative force behind the Sanitary Tortilla Factory.
FOR MORE INFO: CONTACT SHERI CRIDER @ email@example.com or call 505.228.3749
Beautiful Test Sites / Now I am become death
July 13 – August 31, 2018
Opening Reception: Friday, July 13, 2018, 6 – 9 pm
In Beautiful Test Sites / Now I am become death, Mitchell Squire and Nora Wendl make full use of their research-based and architecturally-founded practices to present a series of photographs that meditate upon “beautiful test sites”: spaces and bodies wastelanded by the American techno-utopian imagination of the 20th century. For Squire, this means unearthing a series of inherited mid-20th century photographs taken by an amateur photographer—who at the time served as Executive Secretary of the Iowa Industrial and Defense Commission (1941-45), the first Director of the Iowa Development Commission (1945-53), and State Director of Civil Defense during WWII and again in the 1950s—and whose subjects were both women and nuclear blasts, whose images Squire alters through the strategic use of gilded frames, veils, and glass vases. Nora Wendl presents a series of photographs taken during her recent occupational performance of the all-glass Farnsworth House, designed by Mies van der Rohe for Dr. Edith Farnsworth in the mid-20th century—a house that was conceived the same year as the first American nuclear test. Wendl pairs these with a series of archival photographs of women within this house who have commonly been mistaken as being Dr. Farnsworth, which she heavily annotates with autobiographical and biographical information, thus bringing specificity to women who are otherwise anonymous within the visual discourse of architectural history: researcher and subject alike.
Above Image: Mitchell Squire, Untitled, 2018, dimensions variable, photographs and packing tape.
The mode of operation in viewing visual information today, and particularly photographs, is that even a casual observer must work as a journalist to determine veracity. At the same time, the photograph is a way to arrest beauty, to prolong it, and to catalog even those places and bodies that are wastelanded until a future time when they can be read and named.
Mitchell Squire: Mitchell Squire is an artist and educator whose practice encompasses architecture, visual art, and the study of material culture. His work employs techniques of assemblage and informational strategies of collection and archival presentation, toward understanding the sociopolitical complexity of material and immaterial artifacts. He holds the position of Professor of Architecture at Iowa State University.
Nora Wendl: Nora Wendl is a writer, artist and educator who uses disciplinary strategies drawn equally from literature, visual art, and architecture to amplify overlooked or suppressed narratives within the built and unbuilt environment. She holds the position of Associate Professor of Architecture at the University of New Mexico.
By Emma Difani and Kacie Erin Smith
May 18 – June 22, 2018
OPENING RECEPTION: Friday, May 18, 6-9pm
Sanitary Tortilla Factory is pleased to present Still Moving. In Still Moving Emma Difani and Kacie Erin Smith create print and sculptural works which respond to how people relate to land — the urban wild and cultivated landscape, respectively. Difani drafts maps for discovering alternative definitions of nature in the city that embrace the grown and the constructed alike, charting sincere connections to place. Smith offers a personal take on notions of utility, tradition and belonging based on her study of transhumance while on residency in Spain. With this work, the artists are still learning through endless observation, still moving through continual exploration.
curated by Candy Nartonis and Ellen Babcock
March 2 – March 30 , 2018
OPENING RECEPTION: Friday, March 2, 6-9pm
Migrations contextualizes human migration so that it can be mourned, accepted, embraced, and even in some circumstances celebrated. In our present world, millions of people have been forced to leave their homes. Political danger, famine, earthquakes, fire, rising water, and personal tragedy have caused so many human beings, world-wide, to experience displacement. Forced migration and movement made by choice are two sides of this range of journeys motivated by survival and by dreams of a better life. Important to this story are the migrations to find better and more suitable work and to reconnect with family.
Albuquerque as a city and Alburqueños as a people recognize the richness that migrations have brought to our state. As a group we have been particularly sensitive to the problems our new neighbors encounter. We reached out to many concerned groups while we planned this exhibition and the related events. They have all helped tell this story of current and historic migration.
Migrations touches on the sanctuary movement, the difficulty of crossing national borders, and threats of deportation. It will include community members who migrated or have family stories to tell. We’ll include supporting materials such as maps and histories. A room representing a safe place will fill the center of the gallery space. Inside this space, you will hear personal accounts of forced exodus, uprooted families, war and political and natural events that compel people to move. You will be able to add your own story or consider what you would do if you found yourself in this situation.
Artists and scholars contributing to the exhibition:
Ellen Babcock, Adam Herrera, Evey Jones, Israel F. Haros Lopez, Troy Lovato, David Mora, Candy Nartonis, Zeke Peña, Reed Perkins, Eric-Paul Riege, Jim Roeber, Carol Weber
Sunday, March 4: New Mexicans in Movement: off-site
First of the series: Sunday, March 4, 10am-12pm
We are sponsoring a series of guided walks to interact, share and connect with New Mexican global wanderers; persons for whom migration has defined their lives and the personality of our state. Among the hosts are successful innovators, former diplomats, misfits, multi-generational New Mexicans, as well as recent arrivals. These walks are created by Sidni Lamb at Mindful New Mexico. Check Mindful New Mexico website
http://www.mindfulnewmexico.com/ for dates, locations, and descriptions of walks in the series.
Saturday, March 10: 7pm, The Sanitary Tortilla Factory
Israel F. Haros Lopez performs Mexican Jazz
Poems of migration from his recent publication of Mexican Jazz, a graphic codex novel about women and children in detention centers. He will also be reading excerpts form his latest works, La Llorona Xronciles and Ghostbraids. La llorona Xronicles retells the classic story of La Llorona, the weeping woman and interrupts narratives of myths and oral histories. Ghostbraids is an exploration of Chicano poetry, experimenting with bilingualism, immigration and diverse poetic forms, visual poetry, improvisation and soundscapes, each reading of these works become site specific.
Saturday, March 24, 5-7pm, The Sanitary Tortilla Factory
Potluck Dinner and Music: you are all invited to this celebration of gifts. Bring a food offering from your homeland, write your family history, meet others.
We’ll supply plates and forks, drinks, and food from around the world.
ABOUT RACHEL COOK
As curator of DiverseWorks in Houston, TX, Rachel Cook is passionate about the organization’s mission to “commission, produce, and present new and daring art in all its forms through innovative collaborations that honor each artist’s vision without constraint.” Her curatorial work reconsiders the relationship between images and objects, and investigates methods of delegation embedded within performative and participatory work. She has helped to organize commissioned projects with Tony Feher, Liz Magic Laser, Heather and Ivan Morison, Wu Tsang, Pepe Mar, and Chelsea Knight and Mark Tribe.
Her writing has appeared in a number of art journals and catalogues, including Modern Painters, Flash Art, and the Prospect 3 catalogue. Prior to joining DiverseWorks, Cook worked for dOCUMENTA(13)’s publication team, and was a fellow for the International Studio & Curatorial Program, New York. She holds a Masters from the Center for Curatorial Studies at Bard College and a Bachelors from the San Francisco Art Institute.
Cook has recently been appointed Creative Director of On the Boards in Seattle, WA. Her visit is organized in partnership with ICI and with full financial support provided by Common Field.