Nanibah Chacon site visit at Resilience, mural at Washington Middle School during collaborative studio.
MARCH – SEPTEMBER 2020
Sanitary Tortilla Factory will be hosting an artist-led project in creating a large public art piece to be included in the International Albuquerque Sunport’s public art collection. The collaborative artist team will re-envision the graphic content of each letter of ALBUQUERQUE. Using the rich history of Albuquerque (1300-present) artists will create sophisticated graphic symbols of the region’s complex histories. Popular cultural icons will share space with the buried histories that uniquely honor the history and cultural diversity of what we call Albuquerque.
WORKSHOPS + ARTIST MENTORSHIPS = COLLABORATIVE STUDIO:
Finding the truth? Reimagining our histories and future
Youth artists from the community will join the artists in an intensive studio focused series of workshops and events. Visiting artists, NANI CHACON (ABQ ), ANDREA DELEON(ABQ), Grace Rosario Perkins(ABQ) will share their practice and work with students in developing finished work for the public art component at the Albuquerque Sunport. The group will use working studio discussions, field trips to museums, visits to critical sites as a backdrop to create the core images that represent the complex history of this region
Grace Archibeck, Sekai Berry, Anila Marks-Lopez, Melinda Modisette
This FAQ zine is meant to be a starting point. It’s short, and shares the basics of what we’re talking about when we talk about abolition. It’s been a very useful tool for sparking conversations with people who haven’t considered these ideas before.
For further information, more detailed dives into specific data and policy proposals, and more, check out MDP150’s Resources page.
The text below is also available in different formats, so that people can print/share:
- 8-page zine – directions for how to cut/fold here
- Page by page
- Just the text on one sheet of paper, front/back
- Instagram post
The goal of this initiative is to shift the discussion of police violence in Minneapolis from one of the procedural reforms to one of meaningful structural change. We will achieve this by presenting a practical pathway for the dismantling of the Minneapolis Police Department; the transference of its social service functions to community-based agencies and organizations; the replacement of its emergency intervention functions with models not based on military methods; and the redirection of resources to support community resilience and people-directed development.
As a long time documentarian Melinda Frame collects people’s accounts of their experiences during the COVID-19 outbreak to serve as a historical record of our times. Melinda focused this series on Albuquerque’s artist community. Melinda talked with many artists not only about how the pandemic is impacting their lives and art practice, but also explore with them how it may influence their artistic process as the pandemic continues to evolve. This series was created in partnership with the City of Albuquerque’s DIY Media COVID19 Creative Economy relief program.
“my grandmother is here tonight
she writes like this
highlighter on lineless paper
she pins them onto her mirror
so her survival tactics are reflected back at me
In The Waiting Room
where i am standing just as i am here now
surrounded by whiteness to my right and left
i don’t run here anymore, because there is no where to go ”
– excerpt from In the Waiting Room Poem by hazel batrezchavez
In the Waiting Room, is an exhibition that bears witness to the places where
individuals are asked to perform their identity, in highlighting the microaggressions
faced by someone who is racialized in crossing borders, inverting practices of authority
and focusing on the historical violence of language. In the Waiting Room, draws
parallels between the southern border and the institution as systems of oppression that
take up space and silence certain humans. The work is built as a reaction to the
current cultural landscape the artist navigates and moves freely between the written word,
large scale sculpture, textiles, performance, and video installation.
Sheri Crider in conjunction with New Mexico Craft Responders worked with volunteers: Andrea Deleon, Earl McBride, Amanda Dannáe Romero and Kristen Angerbauer with UNM Architecture to produce intubation boxes for healthcare providers. Intubation Boxes are reusable acrylic protective devices, originally designed by Dr. Hsien Yung Lai in Taiwan, that sit over the head and shoulders of COVID-19 patients. The box acts as a protective shield between the patient and medical provider, with the intent of reducing the healthcare provider’s exposure to COVID-19. After each intubation, the box can be easily cleaned with a bleach or alcohol solution.
“Sheri took her first box to Lovelace Health System here in Albuquerque where doctors used it and immediately ordered 12 more. Since the first batch, she and a crew of volunteers…have made more that have gone everywhere from Roswell to Zuni.”
USE Makerspace Steps Up to Help Make/Distribute PPE for Frontline Healthcare Workers | CNM
Link to article: https://www.cnm.edu/news/fuse-makerspace-steps-up-to-help-make-distribute-personal-protective-equipment-for-frontline-healthcare-workers