The Sanitary Tortilla will be hosting an artist in residence for a six-week project during the summer of 2020.
The artist will be provided housing, studio space, access to the fabrication shop, travel funds ($500), and a stipend ($1800) for the residency. The studio space is STF’s 1100sf exhibition space. STF’s fabrication workspace contains a basic woodworking shop (table saw, band saw, miter saw, sanders), hand-held power tools, and a light metal shop including a TIG welder, chop saw, and grinders (this is a studio-wide used space). FUSE a maker space is less than a half-mile. FUSE has most any tool needed- screen printing, large format printers, full metal/wood shops, 3D printers (basic knowledge is assessed via a nominal fee class).
Candice Hopkins is a writer, a curator and a citizen of Carcross/Tagish First Nation. Her practice explores the intersections of history, contemporary art and indigeneity. Hopkins is senior curator for the 2019 and 2021 editions of the Toronto Biennial of Art and was a part of the curatorial team of the Canadian Pavilion of the 58th Venice Biennale in 2019, featuring the work of the media art collective Isuma. She is co-curator of notable exhibitions including Art For a New Understanding: Native Voices, 1950s to Now; the 2018 SITE Santa Fe biennial, Casa Tomada; documenta 14 in Athens, Greece and Kassel, Germany; Sakahàn: International Indigenous Art; Close Encounters: The Next 500 Years; and the 2014 SITElines biennial, Unsettled Landscapes. Her writing is published widely and recent essays and presentations include “The Gilded Gaze: Wealth and Economies on the Colonial Frontier,” for the documenta 14 Reader, “Outlawed Social Life” for South as a State of Mind and Sounding the Margins: A Choir of Minor Voices at Small Projects, Tromsø, Norway. She has lectured internationally including at the Witte de With, Tate Modern, Dak’Art Biennale, Artists Space, Tate Britain, Yale University, Cornell University, and the University of British Columbia.
Raven Chacon is a composer, performer and installation artist from Fort Defiance, Navajo Nation. As a solo artist, collaborator, or with Postcommodity, Chacon has exhibited or performed at Whitney Biennial, documenta 14, REDCAT, Musée d’art Contemporain de Montréal, San Francisco Electronic Music Festival, Chaco Canyon, Ende Tymes Festival, 18th Biennale of Sydney, and The Kennedy Center. Every year, he teaches 20 students to write string quartets for the Native American Composer Apprenticeship Project (NACAP). He is the recipient of the United States Artists fellowship in Music, The Creative Capital award in Visual Arts, The Native Arts and Cultures Foundation artist fellowship, and the American Academy’s Berlin Prize for Music Composition. He lives in Albuquerque, NM
Curated by Hannah Bluhm
feat. Babette Rittenberg, Jas Knight, Lucia Love, Will Galbadon,
We are Longing
feat. Kaitlin Bryson, Eric-Paul Riege, Madeline Cass, Matea Friend
Women of Color
Curated by Jodi Herrera
Reception & Open Studios: Friday, July 5th, 2019 6-9pm
Exhibition: July 5-26, 2019
Kim Arthun, Frank McCulloch, Paul Akmajian, Inez Foose, Tina Fuentes, Larry Smith, Susan Ricker, Jeanette Williams, Wes Mills, and David Levinthal
Sanitary Tortilla Factory is pleased to host an exhibition of artists that shaped the historic path of artistic production in downtown Albuquerque. Deep creative roots and a commitment to artists was shaped by M & J’s Sanitary Tortilla owners Beatriz and Jake Montoya, Richard Levy and countless artists for over two decades. The exhibition includes many artists that showed work at the restaurant, historic images of the restaurant and lithographs created at 21 Steps.
February of last year, local legend, Frank McCulloch, stopped in at the current iteration of Sanitary Tortilla Factory. Frank had just attended the funeral for the owner of the original Sanitary Tortilla Factory, Jake Montoya. Coffee that brisk morning opened a time capsule of Art, Love and Tortillas. Frank’s stories, exhibition announcements highlighted a vibrant arts scene beginning in the early 1970s. Frank McCulloch and Tina Fuentes often “grabbed a taco” during a break from the studio and artist fondly remark that art returned from the restaurant carried the aroma of tortilla chips. In the late 80’s Richard Levy and Jeff Ryan of 21 Steps, a waterless lithography shop worked with renown artists including, Lorna Simpson, James Casebere, Wes Mills, David Levinthal, Thomas Barrow, Frank Romero and Patrick Nagatani.
Grace Rosario Perkins “I WANNA BE YOURS”
Opening: Friday, June 7, 2019 6-9pm
Exhibition: June 7 – 28, 2019
Sanitary Tortilla Factory is pleased to host a solo exhibition of Grace Rosario Perkins. Bouncing between Oakland and Albuquerque, Grace is concurrently showing work at the Oakland Museum of California, as
well as in Chicago IL, Berkeley CA, Providence RI, and Kingston, Ontario. In Perkins’s first solo exhibition in her home state of New Mexico, I WANNA BE YOURS, Grace presents us with an installation of large scale paintings, textile work, and objects in conversation made in her Albuquerque studio. Like all of Perkins’s work, these pieces engage language, familial history, abstraction, punk ethos, and autobiography. The artist will have a limited edition number of wearable pieces and printed material available onsite for purchase.
Please join us for a reception for the artist Friday, June 7th from 6-9pm. The exhibition is open on Thursdays and Fridays from 12-5pm and by appointment.
Artists of Working Classroom & 21st Century Program
May 3-31, 19
RECEPTION: May 3rd, 6-8pm
Sanitary Tortilla Factory, in partnership with Working Classroom and its 21stCentury Program, presents a showcase of student’s Spring 2019 semester work exploring topics within Self Identity. This topic was interpreted through various mediums including sculpture, painting, printmaking, video projects, and Teatro. Join us on Friday, May 3rd from 6 – 8pm to celebrate and support our artistic youth!
Working Classroom cultivates the artistic, civic, and academic minds of youth through in-depth art projects with contemporary artists to amplify historically ignored voices, resist systemic injustices, and imagine a more equitable society. Over 21 years, Working Classroom has expanded and matured. Together, our students, staff, and parents have created an internationally recognized model program that now includes a street conservatory where students study art and theater, a bilingual theater company, a student gallery, academic tutoring center and college scholarship fund. Every project and program emphasizes community advocacy and incorporates academic, entrepreneurial and life skills. For example, acting students have written, performed and toured original plays about alcohol and domestic violence, AIDS, immigration and New Mexican history. They have performed across New Mexico, at the Latino Chicago Theater and the World Congress on the Family in Columbus, Ohio; represented the United States at the VII International Festival of Theatre of the Oppressed in Rio de Janeiro and represented New Mexico at the First United Nations Congress on Girls. Art students have written, illustrated and published a comic book about predatory lending and a fotonovela about domestic violence. Their landmark public art brightens homeless shelters, food banks, community art centers and clinics and is anchoring a major cultural tourism project in one of Albuquerque’s poorest neighborhoods.